Elizabeth Duffy

Elizabeth Duffy

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  • Current Work: Wearing
    • Video of Wearing / 19th c dress
  • Ongoing : Maximum Security: 50 States Wallpapers, Textiles, Drawings and Installations
  • Maximum Security
    • Security Envelope Projects
      • Neo, at the Milwaukee Art Museum
      • Apartment 2B, at DM Contemporary, NYC
      • Overlander, Hamilton Gallery, Newport, RI
      • Westbeth North Light, Westbeth Gallery, NYC
      • See Through
      • Prolonged Exposure and Repetition Delirium
      • Twin Lens Reflex, Governor's Island, NY
      • Day Job, The Drawing Center, NYC
      • Tobey Street, Providence, RI
      • Security Envelope Quilts and Drawings
      • Security Envelope Objects and Installations
      • Security Envelope Icebergs
      • Penumbra
    • Maximum Security: Quilts and Textiles
  • Insidious Objects
  • Artifacts from an Eventual Past
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      • Shard Portraits
      • Scavenger Birds and Birds of Prey
  • A Series of Minor Miracles
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  • First Steps: The Moon Belongs to Us, An installation for the Rhode Island State House, curated by Judith Tolnick Champa
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  • Curatorial: Dead Ringer at the Bristol Art Museum, RI, June/July 2019
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Visibility is a Trap
screen printed toile wallpaper and textile with images of RI ACI, bird cage, lamp with 19th century print of dueling birds and braided rug
8’ x 6’ x 5’

At first glance it’s a cozy domestic scene from a grandmotherly living room, but closer inspection of the wallpaper and upholstery reveals barbed wire and images of prisons—in this case of the Adult Correctional Institute in Rhode Island. The door of the circular bird cage echos the shape of Jeremy Bentham’s Panopticon, a late 18th century prison plan that was circular and had a central watchtower. The idea behind Bentham’s plan was prisoners would feel they were always being watched and would begin to self surveil. Bentham’s design impacted the design of schools, hospitals and prisons and it is with us now in the omnipresence of surveillance cameras and in internet surveillance and tracking. The dueling birds in the light shade, the toile wallpaper and chair reveal power structures present in everyday life and suggest that even in domestic space feelings of unease and entrapment are ever-present patterns of behavior.



All images copyright of Elizabeth Duffy, 1998-2022

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