Elizabeth Duffy

Elizabeth Duffy

  • News
  • Current Work: Wearing
    • Video of Wearing / 19th c dress
  • Ongoing : Maximum Security: 50 States Wallpapers, Textiles, Drawings and Installations
  • Maximum Security
    • Security Envelope Projects
      • Neo, at the Milwaukee Art Museum
      • Apartment 2B, at DM Contemporary, NYC
      • Overlander, Hamilton Gallery, Newport, RI
      • Westbeth North Light, Westbeth Gallery, NYC
      • See Through
      • Prolonged Exposure and Repetition Delirium
      • Twin Lens Reflex, Governor's Island, NY
      • Day Job, The Drawing Center, NYC
      • Tobey Street, Providence, RI
      • Security Envelope Quilts and Drawings
      • Security Envelope Objects and Installations
      • Security Envelope Icebergs
      • Penumbra
    • Maximum Security: Quilts and Textiles
  • Insidious Objects
  • Artifacts from an Eventual Past
    • Circle Reinforcements
    • Map Projects
    • Silhouettes
      • Shard Portraits
      • Scavenger Birds and Birds of Prey
  • A Series of Minor Miracles
  • Skin/Hair/Breath
  • Artist's Books/Editions
  • First Steps: The Moon Belongs to Us, An installation for the Rhode Island State House, curated by Judith Tolnick Champa
  • Archive
  • Curatorial: Dead Ringer at the Bristol Art Museum, RI, June/July 2019
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Landless, 4
2012-17
hand cut maps, refolded, layered and mounted on the wall
4' x 4' x 5"
I decided to honor my grandmothers in this version of Landless & used only maps of Ireland. I realized after reading about the Silent Sentinels, that my grandparents all emigrated from Ireland around the time they were protesting. In Ireland the struggle for freedom included rights for women. All this was happening while they were teenagers. I can only imagine that arriving to the US as young women and having the right to vote must have been extraordinarily empowering for them.  


All images copyright of Elizabeth Duffy, 1998-2022

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